Tuesday, April 28, 2009

FINAL COURSE INSTRUCTIONS AND ANNOUNCEMENTS

I will need additional time to complete comments on your paper drafts, and will have them ready for you by the end of the day Thursday, April 30. I will send out an e-mail to the class to let you know the papers are ready for pick-up, and will leave them in a marked box outside my office, Dakota Hall, 207.

As a result, I am extending the final paper deadline until Thursday, May 7!

Important!!! Your final course paper is due no later than 5:00 p.m. on Thursday, May 7, 2009!!!

Please either leave your paper in my mailbox in the English Department office, or slide it under my office door, Dakota Hall 207.

Please make sure to include your rough draft with my comments, along with your final, revised draft.

If you would like to have your paper returned to you, please include a manila envelope with your address, and sufficient postage to return your paper and rough draft. I will also keep your papers in my office, and you are welcome to pick them up next fall.

Don't forget to submit your 500-word write-ups/reviews for two outside literary events, if you haven't done so already. If you were not able to attend a second literary event, you may write a 500-word review of a volume of poetry/novel/short story collection/memoir by a multicultural author. You may complete an additional review for extra credit, or replacement of one absence, if you wish. Final deadline for review submission will also be Thursday, May 7, 5:00 p.m., along with your final paper!!!

Tuesday, April 14, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, APRIL 21, 2009

Important!! 10-page draft (you may turn in complete 15-18 pages, if you wish) of your final paper will be due in class on Tuesday, April 21, and submitted to Turnitin.com by 4:00 p.m.

Tuesday, April 21, and Tuesday, April 28, will be devoted to 15-minute presentations of your research papers. You may either read a condensed version of your paper, or present/demonstrate the salient points/discussion in a more interactive manner to the class.

We are now finished with required blogging for the semester. You may, however, submit up to two extra credit blogs to replace missing blogs, or earn extra credit!

Upcoming Outside Literary Events (You will need to attend two, and submit a 500-word review to me for credit. You may attend an additional event for absence make-up and/or extra credit):

Thursday, April 16, 7:00 p.m., Farber Hall - Poetry Reading by Stephen Burt

Friday, April 17, 3:00 p.m., Farber Hall - Critical Talk - "Science Fiction and the Afterlife," by Stephen burt

Thursday, April 30, 7:00 p.m., Coffee Shop Gallery - VLP Magazine Launch and Poetry Slam (you may only write up one slam as an outside literary event)

Tuesday, April 7, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, APRIL 14, 2009

Please read The Autobiography of Red, by Anne Carson.

Please also read From Frankenstein's Monster to Haraway's Cyborg: Gender in Monstrosity, Cyborgosity and (Post)humanity, by Theodora Eliza Vacarescu.

Also? Don't forget to blog!

Looking ahead, please note that a 10-page draft (you may turn in complete 15-18 pages, if you wish) of your final paper will be due in class on Tuesday, April 21, and submitted to Turnitin.com by 4:00 p.m.

Tuesday, April 21, and Tuesday, April 28, will be devoted to 15-minute presentations of your research papers. You may either read a condensed version of your paper, or present/demonstrate the salient points/discussion in a more interactive manner to the class.

Upcoming Outside Literary Events (You will need to attend two, and submit a 500-word review to me for credit. You may attend an additional event for absence make-up and/or extra credit):

Thursday, April 16, 7:00 p.m., Farber Hall - Poetry Reading by Stephen Burt

Friday, April 17, 3:00 p.m., Farber Hall - Critical Talk on Science Fiction by Stephen burt

Thursday, April 30, 7:00 p.m., Coffee Shop Gallery - VLP Magazine Launch and Poetry Slam (you may only write up one slam as an outside literary event)

Wednesday, April 1, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, APRIL 7, 2009

Please read Jeanette Winterson's The Powerbook and the essay, "Tinysex and Gender Trouble," from Sherry Turkle's Identity in the Age of the Internet (circulated in class via Xerox handout). (If you were absent on Tuesday, get a copy from a classmate, or pick up a copy from my office to read sometime before Tuesday's class.)

Important!! Please turn in an Introduction and Outline to your final paper in class on Tuesday, April 7. Your introduction will need to be 1-2 pages, setting forth the central critical/intellectual/analytical problem or question that you plan to address in your paper. Your introduction may also address how you plan to address this central problem/question within the body of your paper -- either through the research, criticism, or modes of analysis. Your introduction should ultimately move toward a clear statement of your thesis. (I understand that your thesis may ultimately evolve or take on sharper/clearer focus after having written more of the body of your paper and conducted additional research/analysis, etc. but I'd like to see you have a good sense, at this juncture, of what direction you are pointing your paper in -- with the understanding that this may require some additional fine-tuning.) Your introduction should also include an outline/roadmap for the remainder of the paper, and a more expanded/developed bibliography.

P.S. -- Don't forget to blog!

Tuesday, March 24, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, MARCH 31, 2009

Don't forget to blog! This week's be due as usual by midnight, Monday, March 30, 2009.

For this week's reading assignment, please read The Book of Salt, by Monique Truong.

Important!! The 4-Page Reflective Essay Evaluating the English Major will be due in class today, and must also be submitted online via Turnitin.com!! Guidelines below:

Reflective Essay Assignment In an essay of at least four double-spaced pages (Times New Roman, 12 point), discuss your expectations of the English major and the extent to which your experience in the USD English Department has met these expectations. Your essay should address the quality of the instruction and of the advising that you have received as a student in the USD English Department. Comments on other aspects of the undergraduate English program are welcome. Students seeking secondary teaching certification in Language Arts should also comment specifically on the English major as it relates to the teacher education program.

Your essay will be evaluated based not on the views you express but rather on the extent to which your work meets the standards of the essay form. To that end, be sure to introduce and conclude your essay. Establish priorities and organize your material accordingly. Support general claims with specific evidence. Use language appropriate to a formal essay (no contractions or slang), and format your paper in MLA style.

This assignment must be submitted to Turnitin.com by 4:00 p.m. on Tuesday, March 31, and provided as hard copy in class on that day.

Note: An essay evaluating the English major is a required assignment in all sections of Senior Capstone. Essays are collected and reviewed anonymously as part of the annual assessment of the program.

Important!! An introduction, outline, and bibliography of your final paper will be due on Tuesday, April 7, 2009. Make sure to let me know if you have questions/concerns about your final project, or have questions/concerns about any of the comments I provided on your paper topic proposals.

Sunday, March 15, 2009

COURSE ANNOUNCEMENTS FOR TUESDAY, MARCH 17, 2009, AND READINGS/ASSIGNMENTS FOR TUESDAY, MARCH 24, 2009

Tuesday, March 17, 2009:

Important!! Don't forget that our course midterm will take place during the first hour of class on Tuesday, March 17!! The guidelines/questions were circulated in class at our last class meeting and I'm also posting them again here below.

Important!! Don't forget that your paper topic is also due in class Tuesday, March 17!! This will simply consist of a short paragraph stating your intended topic for your final paper (topic is wide open, as long as it approaches the issue of identity in one form or another), along with 3-4 possible sources that you might use/take a look at as your topic continues to take shape. At this juncture, I want a sense of what interests you and what you'd like to write about, and to get you into the research databases, at the very least, to poke around a little bit and get your feet wet in terms of possible sources. This will allow me to help you out with focusing/shaping your topic early on.

You may submit a blog post by Monday, March 16, midnight for extra credit, if you like.

No additional assigned readings for Tuesday, March 17, due to midterm and paper proposal


Midterm Exam Guidelines: Closed Book, One Hour, Tuesday, March 17, 2009

Short Answer (3-4 sentences apiece, plus examples if requested):

1. Provide a working definition of assimilation, providing at least three specific general examples of assimilation taken from culture-at-large.

2. Please provide three specific examples in which different characters struggle with and/or negotiate aspects of assimilation from the texts we have read (or viewed) thus far this semester.

3. Provide a working definition of essentialism, providing at least three specific general examples of essentialism taken from culture-at-large.

4. Please provide three specific examples in which different characters are essentialized from the texts we have read (or viewed) thus far this semester.

5. Please provide a brief explanation of the difference between race and ethnicity.

6. Please provide a brief explanation of the difference between multiculturalism and post-colonial theory.

Essay Question (Ball Park 750 Words) (I will ask you to answer one of the following, or, at the time of the exam, allow you to choose to write on one of the following):

1. Please provide an analysis/discussion of the ways in which race, class, gender, and orientation intersect and influence one another in James Baldwin's novel, Another Country.

2. Please provide an analysis/discussion of "The American Dream" in Junot Diaz's Drown

3. Please provide an analysis of the implications/significance of the missing/absent mother in Lois-Ann Yamanaka's Blu's Hanging.

Tuesday, March 24, 2009:

Please read James Welch's novel, The Heartsong of Charging Elk. (Note, this is a bit of a longer/slower read, so you'll want to start chipping away at it as early as possible.)

As time allows, please review Bhabha's "The Other Question," as I'd like to discuss some of these ideas in conjunction with Welch's novel.

Don't forget that we'll return to our normal schedule of blogging, and posts will be due on Monday, March 23, by midnight, as usual.

Finally, the syllabus draft schedule indicates that the 4-page evaluative essay on the English major experience is due March 24, but I'm pushing these deadlines back one week, and so the 4-page essay will be due instead on Tuesday, March 31, 2009.

Thursday, February 26, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, MARCH 3, 2009

Please read Blu's Hanging by Lois-Ann Yamanaka.

Please also read "This Hawaii is Not for Tourists," by Jamie James. (Atlantic review/discussion of Yamanaka novel - simply click on link above.)

* * *


Outside Literary Events for Which You Can Write 500-Word Reviews for Credit:

VLP Poetry Festival Reading with Carrie Helmberger and Jim Reese - Thursday, February 26, 12:00 Noon Farber Hall

VLP Poetry Festival Reading with Liz Kay and Craig Arnold - Thursday, February 26, 4:00 p.m., Farber Hall

VLP Poetry Festival Slam with Craig Arnold - Thursday, February 26, 7:00 p.m. Coffee Shop Gallery

English Department Colloquia Series, Featuring Native Americanist and Ph.D. Student Jason Murray - Thursday, February 26, 7:00 p.m. Farber Hall

Wednesday, February 18, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, FEBRUARY 24, 2008

For this week, please also read Junot Diaz's Drown.

Important! Blog posts will be due as per usual by midnight on Monday, February 23.

Important! Your first paper -- a 6-8 page personal essay on identity, is due in class in hard copy form on Tuesday, February 24, and should also be submitted to Turnitin.com before start of class on Tuesday, February 24. Guidelines for the assignment can be located in he blog/assignment posting directly below.

Tuesday, February 10, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, FEBRUARY 17, 2009

Don't forget that your second round of blogging (on Baldwin, and/or Fanon, et al.) will be due by midnight on Monday, February 16.

We'll begin class on Tuesday by discussing Geeta Kothari's essay, "If You Are What You Eat . . . "

Please read James Baldwin's novel, Another Country.

Please also read the Introduction and Excerpt of Chapter 1 from Frantz Fanon's Black Skin, White Masks, linked here via Google Books.

Guidelines for 6-8 Page (1,500-2,000 Word) Identity Essay, Due February 24, 2009:

Using Kothari's essay on food as identity, and food as cultural literacy as a model/point of departure, please write a 6-8 page personal essay reflecting on your own identity/identities.

You are welcome to use food as the medium by which you think about and analyze/discuss your own sense of personal identity, but you are welcome to use other mediums to consider identity as well: religion, housing/place, apparel, you name it.

Remember that identity is not strictly limited to ethnicity, but can also be about class, orientation, ability, religion, education, vocation, place (urban vs. rural), etc.

Tuesday, January 27, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, FEBRUARY 3, 2009

Don't forget that your first round of blogging will be due no later than midnight, Monday, February 2, 2009! Blog posts should be a minimum of 500 words (consider them as an informal, mini-response paper to weekly readings), and should address course readings/issues/themes, etc. Although informal in nature, you'll want to use the blog posts to clarify and articulate your thoughts about the literature and criticism we're reading and discussing to help prepare yourself for both seminar discussions and paper writing. If I don't have your blog URL yet, please make sure to send it to me ASAP.

Please also don't forget to make sure you've either signed up for a Turnitin.com account (if you're a first-time user), and/or that you've added our class.

For Tuesday, February 3, please read the following materials:

Slave Moth, by Thylias Moss.

"The Other Question," by Homi Bhabha (linked here almost in its entirety via Google Books).

"If You Are What You Eat, Then What Am I," by Geeta Kothari (distributed in class via Xerox handout).

"At the Artist's Colony," by Toi Derricotte (distributed in class via Xerox handout).

The One-Legged Wonder and Other Names," by Mark Mossman. From Post-Identity, Vol. 3, No. 2, Winter 2002, pp. 31-47.

Tuesday, January 20, 2009

READINGS AND ASSIGNMENTS FOR TUESDAY, JANUARY 27, 2009

Please make sure to go ahead and set up your course blog. Do a test post, and bring in the URL (or send to me via e-mail)for your blog.

If you do not already have one, please also make sure to set up an account with Turnitin.com. If you need to find out the Course ID # and password again (I announced it in class last Tuesday), just send me an e-mail.

Please also make sure to go ahead and purchase the required books listed on the syllabus. Don't forget that Lois-Ann Yamanaka's book, Blu's Hanging, is not available at the B&N bookstore, and so you will have to make sure and order that book from another venue/source. Let me know if you have any problems with this, and I can probably help you out. I recommend getting a jump on the readings as soon as possible!

Finally, please make sure to read the following materials for class on Tuesday, January 27:

These articles help to explicate/discuss/distinguish key terms such as multiculturalism, post-colonialism, assimilation, and essentialism.

"Postcolianlism and Multiculturalism: Between Race and Identity", by Sneja Gunew.

"Nobody Simply Vanishes: The Politics of Disappearance," by Jung Choi and John Murphy. (Circulated in class via Xerox handout).

The following article, which may be a bit more of a hard nut to crack -- so just hang tough and bear with it -- is a model of how these theories/ideas/issues are being applied and debated within scholarly literary discourse.

"Ethnic Writing/Writing Ethnicity: The Critical Conceptualization of Chicano Identity," by Dean Franco. Post-Identity, Vol. 2, No. 1 (Winter 1999), pp. 104-122.

Tuesday, January 13, 2009

COURSE SYLLABUS

ENGLISH 489: SENIOR CAPSTONE – OUR OTHERS, OUR SELVES

Professor Lee Ann Roripaugh
Spring Semester 2009
Section #015, Tuesdays, 4:00-6:45 p.m., Arts & Sciences, #105
Office Hours: 12:00-1:45 p.m., Tuesdays and Thursdays
Additional Office Hours/Conferencing Also Available Anytime by Appointment
Office: Dakota Hall #207
Office Phone: 677-5979
E-mail: Lee.Roripaugh@usd.edu
Mailbox: Dakota Hall #212


ENGL 489 is the English senior capstone course required of all English majors, and meets the USD Regental exit requirement.

The topic for the Spring 2009 Senior Seminar is Our Others, Our Selves. The seminar will focus on various aspects and intersections of identity, including, but not necessarily limited to: race, gender, orientation, class, and ability, as represented in fiction, poetry, and essays by authors writing from and about a diverse array of subject positions. Additional critical/theoretical sources will be used to supplement primary sources and form a springboard for class analyses and discussions. Major course requirements include weekly blogging in response to course readings and discussions; a personal essay reflecting upon literary study, the English major experience, and English as a professional discipline; a 6-8 page personal essay addressing some aspect of identity; a midterm examination; and a 15-18 page final research paper. In addition to class discussions over the readings, other course activities may includes films, workshopping of writing drafts, and in-class presentations.

Prerequisites: English major with senior standing.

Required technology skills: You must be able to use email, a web browser, and a word-processing program. You must also have an active USD email account.

REQUIREMENTS:

Blogging (Maintenance of On-line Journal):

One entry per week in response to the assigned readings and/or issues raised in class discussions (500-word minimum).

Blogging requirements will commence following the second full week of class, and will continue for ten weeks throughout the semester. (Please note that blogging will not be required on midterm exam week or over spring break). Each entry is worth 20 points apiece (adding up to 10 entries/200 points total during the semester). You can make up to 2 missed entries by writing extra credit blog entries during non-blogging weeks (i.e., midterm exam week, spring break, non-assigned blogging weeks, etc.). Each week’s entry must be posted no later than midnight on Sunday night of each week to receive credit.

Personal Essay Addressing Some Aspect of Identity:

Using the assigned multicultural essays such as Geeta Kothari’s, “If You Are What You Eat, Then What Am I?” as a model/point of departure, you will be asked to write a 6-8 page (1,500-2,000 words) personal essay exploring some aspect of your identity. You may use Geeta Kothari’s technique of using food as a lens by which to reflect upon and understand your identity, or you may also feel free to explore your identity through some other means as well.

English Capstone Reflection Essay:

As part of the senior capstone experience, you will be asked to write a personal essay (minimum of 4 pages/1,000 words) reflecting on upon literary study, the English major experience, and English as a professional discipline.

Final Course Research Paper:

There will be a final course paper (15-18 pages/3,750-4,500 words) due at the end of the semester, in which you will be asked to propose and write upon a topic that is in some way related to the themes, issues, critical approaches, and/or literary texts discussed over the course of the semester. You will be asked to draft and submit your paper in stages (paper proposal and bibliography; introduction, outline, and bibliography; 10-page draft and bibliography) throughout the second half of the semester, culminating in the submission of a completed, final version of the paper at the end of the semester.

Midterm Exam:

There will be a course midterm exam—consisting of multiple choice, short answer, and essay question—over course terminology, concepts, and readings.

Written Responses to Campus Events in Literary Scholarship:

During the course of the semester, you will be asked attend and write a 500-word summary of and response to at least two campus events in literary scholarship. Written responses will be due within one week of attending the event. These events will be announced in class. To obtain extra credit, or replace an absence, you may attend more than two events and hand in a summary/response—once again, within one week of attending the event.

Class Participation:

ENGL 489 is a seminar course, meaning that it will be primarily discussion-based, and course content will be significantly constructed through the in-class contributions of students. As such, you will be responsible for completing reading assignments prior to their discussion in class. Please come to class prepared to talk as well as to listen, and please bring your copy of the assigned reading materials to class each day.

GRADING:

40% Final 15-18 Page Paper (400 points total – 20 points for proposal, 30 points for introduction and outline, 50 points for
10-page draft; 50 points for 15-minute research presentation; 250 points for final, 15-18 page paper)

20% Blogging/On-Line Writing Journal Entries (200 points total – 20 points per entry)

10% Midterm Examination (100 points possible)

10% Personal Essay on Identity (100 points possible)

5% English Capstone Reflection Essay (50 points possible)

5% Attendance and 500-Word Written Responses to Two Outside Events of Literary Scholarship (50 points possible – 25 points apiece)

10% Thoughtful, Prepared, and Engaged Class Participation (100 points possible)

Your final grade will be based on a scale of 1,000 points possible.

TEXTS:

Autobiography of Red, Anne Carson
Publisher: Vintage (July 27, 1999)
ISBN-10: 037570129X
ISBN-13: 978-0375701290

Slave Moth, Thylias Moss
Publisher: Persea (February 22, 2006)
ISBN-10: 0892553189
ISBN-13: 978-0892553181

Another Country, James Baldwin
Publisher: Vintage (December 1, 1992)
ISBN-10: 0679744711
ISBN-13: 978-0679744719

The Heartsong of Charging Elk, James Welch
Publisher: Anchor (October 2, 2001)
ISBN-10: 0385496753
ISBN-13: 978-0385496759

The Book of Salt, Monique Truong
Publisher: Mariner Books (June 15, 2004)
ISBN-10: 0618446885
ISBN-13: 978-0618446889

The Powerbook, Jeanette Winterson
Publisher: Vintage (October 9, 2001)
ISBN-10: 0375725059
ISBN-13: 978-0375725050

Drown, Junot Diaz
Publisher: Riverhead Trade (July 1, 1997)
ISBN-10: 1573226068
ISBN-13: 978-1573226066

Blu's Hanging, Lois-Ann Yamanaka
Publisher: Harper Perennial (July 1, 1998)
ISBN-10: 0380731398
ISBN-13: 978-0380731398

Additional materials will be made available either on-line or via Xerox handouts as needed. You are also expected to own an appropriate handbook; the MLA Handbook for Writers of Research Papers, 6th edition, is recommended.

ABSENCES AND MAKEUPS:

You will be allowed two absences during the course of the semester. For each absence beyond these two there will be a 50-point deduction (i.e., half a letter grade) in your final grade. If you happen to go beyond the two allowed absences, you will be allowed to make up one (and no more than one absence) by attending an outside event in literary scholarship (in addition to the two required events) and writing a 500-word review of the event, or writing a 500-word review of a contemporary piece of multicultural literature not discussed in class.

Students who must miss class due to an official University event must let the instructor know in advance (with appropriate documentation) in order to make up missed work. In the event of unexpected serious illness or if commuting students must miss class due to severely inclement weather, students must contact the instructor and provide appropriate documentation to make arrangements for makeups, etc.

Please note that I DO NOT make distinctions between excused and unexcused absences, and an absence always counts as an absence. Instead, you’ve been given a reasonable number of absences and a reasonable number of makeup opportunities to work with, and I will expect you each to manage your own attendance accordingly. Please let me know ASAP if you have specific concerns or questions.

SUBMISSION OF ASSIGNMENTS AND TURNITIN.COM:

All papers and most other take-home assignments for ENGL 489 must be submitted electronically to Turnitin.com. Most assignments must also be submitted as hard copy. Exact submission requirements, including deadlines for Turnitin submission, will be provided. If either electronic or hard-copy of submission occurs late, the assignment will be considered late. When submitting a revised version of a piece already marked in its draft form, please make sure to include both the revised and the marked versions. Failure to provide marked versions may result in a delay in grading of the final version and/or a grade reduction. Note that assignments designated “draft” will be marked but not graded.

To begin using Turnitin, visit www.turnitin.com and view the brief student training video at http://www.turnitin.com/static/training.html. Next, select “New Users” at the top of the main Turnitin page, complete the user profile and enter your class id and enrollment password. You will then be enrolled in the ENGL 489 Turnitin course. If you are taking more than one course for which Turnitin is required and/or are already a Turnitin user, click “Enroll in a course” on your main Turnitin page and enter the class id and enrollment password supplied by each course’s instructor. The enrollment process should be completed before our third class meeting, on February 2, 2009.

LATE ASSIGNMENTS:

Hard-copy assignments are due at the start of class unless otherwise indicated. Assignments handed in late (whether electronically or as hard copy) without an extension may be docked up to a full letter grade for each week late. (Example: An “A” assignment due Monday at 4:00 may receive a “B” if submitted by 4:00 the following Monday, a “C” if by the Monday after that, etc.) Extensions should be requested at least one day in advance and for good cause.

DOCUMENTATION, USE OF SOURCES, AND MULTIPLE SUBMISSION:

Written work must be submitted using MLA format to document sources, as detailed in the MLA Handbook for Writers of Research Papers (6th edition) or another reliable handbook.

Unless an assignment stipulates that you consult other sources, complete it without the support of materials beyond those assigned. If I identify in your written work evidence of uncited material from another source, it will be considered as academic dishonesty and penalized accordingly.

Multiple submission (the submission of the same, or substantially the same, work to more than one class) is not permitted and will be considered an instance of academic dishonesty and penalized accordingly.

ACADEMIC INTEGRITY:

The College of Arts and Sciences considers plagiarism, cheating, and other forms of academic dishonesty inimical to the objectives of higher education. The College supports the imposition of penalties on students who engage in academic dishonesty, as defined in the “Conduct” section of the University of South Dakota Student Handbook.

No credit can be given for a dishonest assignment. At the discretion of the instructor, a student caught engaging in any form of academic dishonesty may be:

(a) Given a zero for that assignment.
(b) Allowed to rewrite and resubmit the assignment for credit.
(c) Assigned a reduced grade for the course.
(d) Dropped from the course.
(e) Failed in the course.

⎯ Adopted by vote of the faculty of the College, April 12, 2005

Students who have engaged in academic dishonesty may be referred to the USD Office of Rights and Responsibilities for violation of the Student Code of Conduct.

FAIR EVALUATION:

Each student is entitled to a fair grade in each course in which he or she is enrolled. It is the right and the responsibility of an instructor to establish criteria for evaluation for each course which he or she teaches, and to determine the degree to which an individual student has fulfilled the standards set for the course.

Students should be apprised that extraneous factors, such as eligibility for sorority or fraternity membership, for scholarship or financial aid awards, for athletics, for timely graduation, or for admission to graduate or professional schools, have no bearing on the determination of grades. The quality of the student’s overall performance with respect to standards for evaluation will be the only basis for judgment.

RESOLVING COMPLAINTS ABOUT GRADES:

The first step in resolving a complaint about grades is ordinarily for the student to attempt to resolve the problem directly with the course instructor. If that attempt is unsuccessful, the student may bring the matter to the Department Chair, who will assist the instructor and the student in reaching a resolution. Grade appeals not resolved with the assistance of the Department Chair may be directed to the Office of the Dean of the College of Arts and Sciences (for undergraduates) or to the Dean of the Graduate School (for graduate students), provided that the grading decision at issue would affect the student’s final course grade. The student initiating the grade appeal should be prepared to show that the grade was decided unfairly. According to South Dakota Board of Regents Policy 2:9, any academic appeal must be initiated within thirty calendar days from the date that the student received notification of the grade, unless the grade is assigned within fifteen calendar days of the end of the term. In that case, any appeal must be initiated within fifteen calendar days after the start of the next term (fall, spring, or summer).

STATEMENT ON FREEDOM IN LEARNING:

The following statement is required by the South Dakota Board of Regents.

Freedom in Learning: Students are responsible for learning the content of any course of study in which they are enrolled. Under Board of Regents and University policy, student academic performance shall be evaluated solely on an academic basis and students should be free to take reasoned exception to the data or views offered in any course of study. Students who believe that an academic evaluation is unrelated to academic standards but is related instead to judgment of their personal opinion or conduct should first contact the instructor of the course. If the student remains unsatisfied, the student may contact the department head and/or dean of the college which offers the class to initiate a review of the evaluation.

ASSESSMENT DISCLAIMER:

Any written work submitted for this course may be used for purposes of program review and/or faculty development.

DISABILITIES:

Any student who feels s/he may need academic accommodations or access accommodations based on the impact of a documented disability should contact and register with Disability Services during the first week of class. Disability Services is the official office to assist students through the process of disability verification and coordination of appropriate and reasonable accommodations. Students currently registered with Disability Services must obtain a new accommodation memo each semester. For information contact:

Ernetta L. Fox, Director
Disability Services
Room 119 Service Center
(605) 677-6389
www.usd.edu/ds; dservices@usd.edu

* * *


(VERY) TENTATIVE CLASS SCHEDULE


Important!! Don’t forget to blog!! Weekly deadline for posting your weekly blog post is no later than Monday night at midnight!! Blogging will officially commence after the first second week of classes, and the first round of blog posts will be due by midnight on Monday, February 2, 2009!

Tuesday, January 20, 2009:
Wisecup job talk during first part of class (Neuharth Center)
Go over syllabus and course policies.
Introduction to course materials.

Tuesday, January 27, 2009:
Assimilation, Essentialism, and Hybridity
Selected Critical Readings
Documentary: The Sound and the Fury

Tuesday, February 3, 2009:
Multicultural Essays
Slave Moth, by Thylias Moss
Selections from Homi Bhabha’s “The Other Question”

Tuesday, February 10, 2009:
Another Country, by James Baldwin
Selections from Frantz Fanon’s Black Skin, White Masks

Tuesday, February 17, 2009:
Drown, by Junot Diaz
Selected Critical Readings
Important!! 6-8 Page Personal Essay on Some Aspect of Identity Due in Class Today!!

Tuesday, February 24, 2009:
Blu’s Hanging, by Lois-Ann Yamanaka
“This Hawaii is Not for Tourists,” – Atlantic Book Review
Crystal Parikh Essay

Tuesday,March 3, 2009:
Important!! Midterm Exam – 1 hour
Film: Saving Face or Fire

SPRING BREAK

Tuesday, March 17, 2009:
Film: Smoke Signals
Selected Critical Readings
Paper Proposal Due in Class with Bibliography

Tuesday, March 24, 2009:
The Heartsong of Charging Elk, by James Welch
Selected Critical Readings
Important!! 4-Page (Minimum) Reflective Essay Due in Class Today

Tuesday, March 31, 2009:
The Book of Salt, by Monique Truong
Selected Critical Readings
Important!! Paper Introduction and Outline with Bibliography Due in Class Today!!

Tuesday, April 7, 2009:
The Powerbook, by Jeanette Winterson
Selections from Judith Butler’s Gender Trouble
Selections from Sherry Turkle’s anthology, Life on the Screen

Tuesday, Apil 14, 2009:
The Autobiography of Red, by Anne Carson
Selections from Donna Haraway’s “The Promises of Monsters”

Tuesday, April 21, 2009:
Important!! 10-page Draft of Final Paper Due in Class Today!!
Important!! 15-Minute Research Presentations

Tuesday, April 28, 2009:
Important!! 15-Minute Research Presentations
Course Wrap-Up

Final Paper Due Tuesday, May 5, 2009, by 5:00 p.m.!!!!!!!